The bracketed numbers tell you the precise instrumentation of the ensemble. The first number stands for Flute , the second for Oboe , the third for Clarinet , the fourth for Bassoon , and the fifth separated from the woodwinds by a dash is for Horn. Sometimes there are instruments in the ensemble other than those shown above. Whenever this occurs, we will separate the first four digits with commas for clarity. Thus a double reed quartet of 2 oboes, english horn and bassoon will look like this:. Titles with no bracketed numbers are assumed to use "Standard Instrumentation.
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In France the design and construction of flutes reached a point unmatched elsewhere in Europe in the nineteenth century, as Paul Taffanel , flute teacher at the Paris Conservatoire, developed a new flute-playing technique. Composers were willing to compose works to display the new brilliance and virtuosity that resulted. He was an expert on flute design and playing and used this specialized knowledge to write works ideally planned to display every bit of the player's virtuosity.
One of the best of his works is this Fantaisie Brillant on themes from Bizet 's famous opera. In about 12 rapidly paced minutes, Borne runs through many of the great themes from this most popular opera. Just as the piece seems ready to close, Borne trumps all that has come before with a triumphant statement of the one famous theme that has been missing in action so far, the Toreador Song.
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Fantaisie brillante (on themes from Bizet's Carmen), for flute & piano (or orchestra)
Fantaisie brillante sur 'Carmen' (Borne, François)