JEAN ROUCH CINE ETHNOGRAPHY PDF

Originally derived from the discipline of anthropology , ethnocinema is one form of ethnographic filmmaking that prioritises mutuality, collaboration and social change. Ethnocinematic films primarily document "relationships" [5] between filmmakers from different cultures, or subcultures, who now share common space of a political , philosophical , geographical or virtual nature. Ethno-cinematographers include Jean Rouch , Trinh T. Of these, Rouch's films are closest to being the forerunners of contemporary ethnocinema. Many film theorists and ethnohistorians have helped to define an evolving ethnographic film in the late 20th century, among them American Bill Nichols. In addition to Rouch, this includes the work of such ethnographers and intercultural filmmakers as Trinh T.

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Return to Book Page. Preview — Cine-Ethnography by Jean Rouch. Cine-Ethnography by Jean Rouch. One of the most influential figures in documentary and ethnographic filmmaking, Jean Rouch has made more than one hundred films in West Africa and France. In such acclaimed works as Jaguar, The Lion Hunters, and Cocorico, Monsieur Poulet, Rouch has explored racism, colonialism, African modernity, religious ritual, and music.

He pioneered numerous film techniques and techno One of the most influential figures in documentary and ethnographic filmmaking, Jean Rouch has made more than one hundred films in West Africa and France.

In the four essays that follow, Rouch discusses the ethnographic film as a genre, the history of African cinema, his experiences of filmmaking among the Songhay, and the intertwined histories of French colonialism, anthropology, and cinema. And in four interviews, Rouch thoughtfully reflects on each of his films, as well as his artistic, intellectual, and political concerns.

Jean Rouch was born in Paris in He studied civil engineering before turning to film and anthropology in response to his experiences in West Africa during World War II.

Rouch is the recipient of numerous awards, including the International Critics Award at Cannes for the film Chronicle of a Summer in Steven Feld is professor of music and anthropology at Columbia University.

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Lists with This Book. Community Reviews. Showing Average rating 4. Rating details. More filters. Sort order. Start your review of Cine-Ethnography. Jan 03, Riar rated it really liked it. Edgar Morin's solid and vulgar testimony on Chronicle of a Summer is a must read.

Rouch interview with Georgakas, Gupta and Janda brings the notion of coloniality back to visual anthropology.. It seems that Rouch observes African cinema still from the colonial perspective amidst his effort to avoid his position as a white European. His assessment toward the aesthetic output of African Edgar Morin's solid and vulgar testimony on Chronicle of a Summer is a must read. His assessment toward the aesthetic output of African cinema shows how superior he was—well the piece was written in Penelope rated it it was amazing Nov 19, Siobhan rated it liked it Dec 25, Renne Sairanen rated it it was amazing Mar 09, Bobby George rated it it was amazing Jul 22, Anastasia rated it it was amazing Jun 05, Mr J L Morrison rated it it was amazing May 22, The Media Bunny rated it liked it Dec 04, Salvatore rated it it was amazing Jan 22, Rajat rated it really liked it Apr 13, Cristiana rated it really liked it Feb 09, Solly rated it really liked it Apr 01, Lindsay Humes rated it really liked it Aug 18, Roy Hanney rated it it was amazing Sep 03, Christopher rated it it was amazing Aug 30, Matthew Fuchs rated it it was amazing Jun 10, Emilie Debrigard rated it it was amazing Jul 23, Bret marked it as to-read Sep 27, Yvonne marked it as to-read Jul 09, Sarah marked it as to-read Mar 17, Fa2 added it May 23, Arlettev added it Jul 27, Alyce marked it as to-read Aug 07, Bianca marked it as to-read Sep 15, Abel added it Feb 25, Ozcose marked it as to-read Jul 05, Frederic added it Aug 19, Karla Noriega marked it as to-read Sep 16, Yasmin Shehab marked it as to-read Sep 22, Donald Williams marked it as to-read Jan 28, Heather marked it as to-read May 12, Fedelle marked it as to-read May 28, There are no discussion topics on this book yet.

About Jean Rouch. Jean Rouch. Pennebaker and Albert and David Maysles. Rouch's practice as a filmmaker for over sixty years in Africa, was characterized by the idea of shared anthropology. Influenced by his discovery of surrealism in his early twenties, many of his films blur the line between fiction and documentary, creating a new style of ethnofiction. He was also hailed by the French New Wave as one of theirs.

He would often repeat, "Glory to he who brings dispute. Books by Jean Rouch. As dedicated readers already know, some of the best and most innovative stories on the shelves come from the constantly evolving realm of young ad Read more Trivia About Cine-Ethnography. No trivia or quizzes yet. Welcome back. Just a moment while we sign you in to your Goodreads account.

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Ciné-Ethnography

Rouch's practice as a filmmaker, for over sixty years in Africa, was characterized by the idea of shared anthropology. He was hailed by the French New Wave filmmakers as one of their own. Jean Rouch began his long association with African subjects in , when he arrived in Niamey as a French colonial hydrology engineer to supervise a construction project in Niger. He filmed the rituals and ceremonies of the Songhai people. During his work in Niger, Jean Rouch documented such events and sent his work to Marcel Griaule , his teacher, who encouraged him to continue his work with the Songhai and go deeper into his studies. Shortly afterwards he returned to France to participate in the Resistance.

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Ethnocinema

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Cine-Ethnography

Coming soon. Jean Rouch has made more than one hundred documentary films in West Africa and France, pioneered numerous film techniques and technologies, and in the process inspired generations of filmmakers. Film and Media , Anthropology , Cultural Criticism. One of the most influential figures in documentary and ethnographic filmmaking, Jean Rouch has made more than one hundred films in West Africa and France. In such acclaimed works as Jaguar, The Lion Hunters, and Cocorico, Monsieur Poulet, Rouch has explored racism, colonialism, African modernity, religious ritual, and music. In the four essays that follow, Rouch discusses the ethnographic film as a genre, the history of African cinema, his experiences of filmmaking among the Songhay, and the intertwined histories of French colonialism, anthropology, and cinema. And in four interviews, Rouch thoughtfully reflects on each of his films, as well as his artistic, intellectual, and political concerns.

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